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SELECTED EXHIBITIONS, EVENTS & PERFORMANCES

 

  • SAD MIRROR, 2018, Xero, Kline & Coma, London.

  • SOMETHING 3 BE SCARED OF, 2018, no.w.here, London.

  • AMENDED PLASTICS, 2017, puntWG, Amsterdam. 

  • GOING ALONG WITHOUT A BODY, A COMMENT ON THE SOUND TRACK RITUAL, 2017, IKLECTIK, London.

  • SOMETHING II BE SCARED OF, 2017, Syndicate Gallery, Cologne.

  • STORIES FROM THE SCULPTURE CITY, 2017, Henry Moore Foundation, Leeds.

  • HERETICS 12, BROKEN DIORAMA, 2017, Radio Quantica, Portugal.

  • EROS SELF/LOVE LAUNCH, 2016, Bosse and Baum Gallery, London.

  • ON DEDICATION, 2016, Corridor Project Space, Amsterdam.

  • MOVING PERFORMANCES, 2016, Faculty of Music, Oxford.

  • PLURAL MELTS: THE STORY OF JOAN OF ARC PART 2 BY BEATRICE LOFT SCHULZ AND FEMME FABRICATIONS BY JOSEPH NOONAN-GANLEY, 2016, Yvonne Lambert Gallery, Berlin.

  • FEMME FABRICATIONS,2016, Quick Millions Gallery, London.

  • CAFÉ NIGHT, 2016, 50 TAAFFE Gallery, Brooklyn, New York.

  • ON CURATING HISTORIES, 2015, National College of Art & Design Gallery, Dublin.

  • LETTERS, 2015, Kings College London.

  • HMN, 2015, The Prince Arthur, London.

  • RECORDING AT THE NORTH WALL, 2015, North Wall Arts Centre, Oxford.

  • SOMETHING TO BE SCARED OF, 2015,A.M. London, London.

  • ORMOND STUDIOS, FIVE YEAR ANNIVERSARY, 2014, Ormond Studios, Dublin.

  • FOAMING AT THE MOUTH 4, 2014, Arts Council of Ireland, Dublin.

  • IN THE LINE OF BEAUTY, 2013-2014, Irish Museum of Modern Art, Dublin.

  • FRIEZE, 2013, Frieze Art Fair, London.

  • OH WICKED FLESH!, 2013, South London Gallery, London.

 

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WRITING

 

  • THE CESSPOOL OF RAPTURE, 2019, Ma Bibliothèque.

  • FEMME FABRICATIONS, 2016, Eros Journal.

  • EXCERPT FROM FEMME FABRICATIONS, 2016, OAR: Oxford Artistic and Practice Based Research Platform.

  • FEMME FABRICATIONS, 2016, Eros Journal.

  • OBJECT ORIENTED PHILOSOPHY AND THE CRITICALITY OF CRITICAL THOUGHT, 2014, O-Zone: A Journal of Object-Oriented Studies, Issue 1: Object/Ecology, edited by Levi Bryant and Eileen Joy.

 

 

 

EDITING & CURATING

 

  • SCENE 93 OMITTED, 2014, by Frank Wasser, curated by Joseph Noonan-Ganley and Sam Keogh, Xero, Kline and Coma, London.

  • SHADY DEALINGS WITH LANGUAGE: HISTORY ARISES, 2014, curated by Joseph Noonan-Ganley and Roy Claire Potter, Toast, Manchester.

  • OH WICKED FLESH!, 2013, published by the South London Gallery.

 

 

 

EDUCATION

 

  • PhD FINE ART, 2017, Ruskin School of Art & St. John’s College, University of Oxford (The Contagion of Desire).

  • MFA FINE ART, 2014, Goldsmiths College, University of London.

  • BFA FINE ART PAINTING, 2009, The National College of Art and Design, Dublin.

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FUNDED RESEARCH & AWARDS

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  • ACADEMIC FELLOW IN FINE ART, 2019 - 2022, Newcastle University, Newcastle.

  • ARTS AND HUMANITIES RESEARCH COUNCIL DOCTORAL STUDENTSHIP, St. John’s College and University of Oxford, 2014-2017.

  • AHRC RESEARCH TRAINING & SUPPORT GRANT(international research undertaken at the Metropolitan Museum of Art and Brooklyn Museum of Art), New York, 2017.

  • TRAVEL AND RESEARCH AWARD, St. John’s College, 2017.

  • AHRC RESEARCH TRAINING & SUPPORT GRANT(international research undertaken at the Joseph Cornell study centre), Smithsonian American Art Museum, Washington DC, 2016.

  • ACADEMIC RESEARCH GRANT, University of Oxford, 2016.

  • TRAVEL AND RESEARCH AWARD, St. John’s College, 2016.

  • AHRC RESEARCH TRAINING & SUPPORT GRANT(international research undertaken at the Finnish Literature Society in Helsinki and the University of Turku), Finland, 2015.

  • ACADEMIC RESEARCH GRANT, University of Oxford, 2015.

  • TRAVEL AND RESEARCH AWARD, St. John’s College, 2015.

  • TRAVEL AND TRAINING, Arts Council of Ireland, 2011-2014.

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