SELECTED EXHIBITIONS, EVENTS & PERFORMANCES

 

  • SAD MIRROR, 2018, Xero, Kline & Coma, London.

  • SOMETHING 3 BE SCARED OF, 2018, no.w.here, London.

  • AMENDED PLASTICS, 2017, puntWG, Amsterdam. 

  • GOING ALONG WITHOUT A BODY, A COMMENT ON THE SOUND TRACK RITUAL, 2017, IKLECTIK, London.

  • SOMETHING II BE SCARED OF, 2017, Syndicate Gallery, Cologne.

  • STORIES FROM THE SCULPTURE CITY, 2017, Henry Moore Foundation, Leeds.

  • HERETICS 12, BROKEN DIORAMA, 2017, Radio Quantica, Portugal.

  • EROS SELF/LOVE LAUNCH, 2016, Bosse and Baum Gallery, London.

  • ON DEDICATION, 2016, Corridor Project Space, Amsterdam.

  • MOVING PERFORMANCES, 2016, Faculty of Music, Oxford.

  • PLURAL MELTS: THE STORY OF JOAN OF ARC PART 2 BY BEATRICE LOFT SCHULZ AND FEMME FABRICATIONS BY JOSEPH NOONAN-GANLEY, 2016, Yvonne Lambert Gallery, Berlin.

  • FEMME FABRICATIONS,2016, Quick Millions Gallery, London.

  • CAFÉ NIGHT, 2016, 50 TAAFFE Gallery, Brooklyn, New York.

  • ON CURATING HISTORIES, 2015, National College of Art & Design Gallery, Dublin.

  • LETTERS, 2015, Kings College London.

  • HMN, 2015, The Prince Arthur, London.

  • RECORDING AT THE NORTH WALL, 2015, North Wall Arts Centre, Oxford.

  • SOMETHING TO BE SCARED OF, 2015,A.M. London, London.

  • ORMOND STUDIOS, FIVE YEAR ANNIVERSARY, 2014, Ormond Studios, Dublin.

  • FOAMING AT THE MOUTH 4, 2014, Arts Council of Ireland, Dublin.

  • IN THE LINE OF BEAUTY, 2013-2014, Irish Museum of Modern Art, Dublin.

  • FRIEZE, 2013, Frieze Art Fair, London.

  • OH WICKED FLESH!, 2013, South London Gallery, London.

  • I WON’T SAY I WILL SEE YOU TOMORROW; 2013, Mermaid Arts Centre, Wicklow, Ireland.

  • THE PRIVATE VIEWING, 2012, London.

  • WORKHEAD, 2012, NCAD Gallery, Dublin.

  • 7TH BERLIN BIENNALE, 2012,Berlin.

  • AERIAL BLUE, 2011, Clew Bay, Mayo, Ireland

  • IN OTHER WORDS, 2011, Lewis Glucksman Gallery, Cork, Ireland.

  • REPO-MAN, 2011, Kerlin Gallery, Dublin.

  • THE STATE OF THE UNION, 2011, Occupy Space, Limerick, Ireland.

  • GRACELANDS – ‘I’M SPARTACUS’,2010, Leitrim, Ireland.

  • THE NEW LIVING ART EXHIBITION, 2010, Irish Museum of Contemporary Art, Dublin.

  • SCALAR, 2010, Ormond Studios, Dublin.

  • RESURRECTION, 2010, Bruce High Quality Foundation, New York. 

  • INVOCATION OF MY DEMON BROTHER, 2010,Irish Film Institute, Dublin.

 

 

WRITING

 

  • THE CESSPOOL OF RAPTURE, 2019, Ma Bibliothèque.

  • FEMME FABRICATIONS, 2016, Eros Journal.

  • EXCERPT FROM FEMME FABRICATIONS, 2016, OAR: Oxford Artistic and Practice Based Research Platform.

  • FEMME FABRICATIONS, 2016, Eros Journal.

  • OBJECT ORIENTED PHILOSOPHY AND THE CRITICALITY OF CRITICAL THOUGHT, 2014, O-Zone: A Journal of Object-Oriented Studies, Issue 1: Object/Ecology, edited by Levi Bryant and Eileen Joy.

  • 05:09:12, 2012, published on the occasion of 05:09:12 by Marcel Vidal, Nag Gallery, Dublin.

  • THE DEATH OF THE M COUCH, 2012, published on the occasion of WORKHEAD, NCAD Gallery, Dublin.

  • NOTES ON THE PROCESS OF NAMING; IN-BETWEEN ANTONIO NEGRI AND QUENTIN MEILLASSOUX, 2011, published on the occasion of All Roads Lead to Neustern, Gary Farrelly, Dublin.

  • ORGANS AND BODIES, 2011, published on the occasion of A Still Breath of Adventure by Martina Mc Donald, Riverbank Arts Centre, Kildare.

  • LOVE THE EVENT AND JOUISSANCE, 2010, Radical Love Vol. 1.

  • THE COMING SINGULARITY AND LOVE, 2010, published on the occasion of The Paper Ball, Oisin Byrne, Dublin.

 

 

 

EDITING & CURATING

 

  • SCENE 93 OMITTED, 2014, by Frank Wasser, curated by Joseph Noonan-Ganley and Sam Keogh, Xero, Kline and Coma, London.

  • SHADY DEALINGS WITH LANGUAGE: HISTORY ARISES, 2014, curated by Joseph Noonan-Ganley and Roy Claire Potter, Toast, Manchester.

  • OH WICKED FLESH!, 2013, published by the South London Gallery.

  • IDIOGLOSSIA, AN ART WRITING GLOSSARY, 2012, published by Hato Press, London.

 

 

 

EDUCATION

 

  • PhD FINE ART, 2017, Ruskin School of Art & St. John’s College, University of Oxford. The Contagion of Desire, supervised by Elizabeth Price and Katrina Palmer.

  • MFA FINE ART, 2014, Goldsmiths College, University of London.

  • MFA FINE ART SCULPTURE, 2011, National College of Art and Design, Dublin.

  • BA FINE ART PAINTING, 2009, National College of Art and Design, Dublin.

 

FUNDED RESEARCH & AWARDS

  • ACADEMIC FELLOW IN FINE ART, 2019 - 2022, Newcastle University, Newcastle.

  • ARTS AND HUMANITIES RESEARCH COUNCIL DOCTORAL STUDENTSHIP, St. John’s College and University of Oxford, 2014-2017.

  • AHRC RESEARCH TRAINING & SUPPORT GRANT(international research undertaken at the Metropolitan Museum of Art and Brooklyn Museum of Art), New York, 2017.

  • TRAVEL AND RESEARCH AWARD, St. John’s College, 2017.

  • AHRC RESEARCH TRAINING & SUPPORT GRANT(international research undertaken at the Joseph Cornell study centre), Smithsonian American Art Museum, Washington DC, 2016.

  • ACADEMIC RESEARCH GRANT, University of Oxford, 2016.

  • TRAVEL AND RESEARCH AWARD, St. John’s College, 2016.

  • AHRC RESEARCH TRAINING & SUPPORT GRANT(international research undertaken at the Finnish Literature Society in Helsinki and the University of Turku), Finland, 2015.

  • ACADEMIC RESEARCH GRANT, University of Oxford, 2015.

  • TRAVEL AND RESEARCH AWARD, St. John’s College, 2015.

  • TRAVEL AND TRAINING, Arts Council of Ireland, 2011-2014.

  • TRAINING AND NETWORKING – INTERNATIONAL CONFERENCE AWARD, European Commission, 2009.

  • EUROPEAN LEAGUE OF INSTITUTES OF THE ARTS BURSARY, 2008.